You are going to read four descriptions of research being carried out by staff of a music college. For questions 47-56, choose from the extracts (A-D). The extracts may be chosen more than once.
Which section mentions the
following...
47.- some unexpected information
concerning a particular musician? _____
48.- a description of the
methodology used to generate data? _____
49.- the researcher's hope that
future research will be carried out into the same materials? _____
50.- how some of the material in
a planned book will be structured? _____
51.- a wish to assist performers? _____
52.- the use of source material
not previously known? _____
53.- exploration of the business
context in which performances were given in a particular period? _____
54.- the influence that artists
had on one another?_____
55.- how discoveries in the field
of music relate to ones in an academic discipline other than music? _____
56.- the use of materials that
have previously been studied from a different perspective? _____
Some current research by staff of
the Department of Music
A
Bernice Mitchell is engaged in
researching law-court records from London in the first half of the 18th
century, lar the light they throw on the city 's professional music world of
the time. While the materials are familiar to legal researchers, this is
thought to be the first time that their relevance to the history of music has
been recognised. One objective of the research is to provide guidance on access
to the materials and on their interpretation, in the expectation that more
scholars will be encouraged to investigate this fascinating resource. To date,
Mitchell 's research has concentrated on the opera houses, and the documents have
yielded considerable new insights into numerous issues, including their
management, contracts with singers, musicians and composers, their working
conditions, and performance fees. Mitchell is about to broaden her research, to
include a detailed comparison between the 18th- and 21st-century conditions in
which opera houses flourished - or not, as the case may be!.
B
James Rowe's project is being
carried out in collaboration with London's Science Museum. Visitors are asked
to participate in a series of experiments designed to yield information about
the effect of music on the perception of time passing, and so far, more than
800 people have taken part. Participants listen to a piece of music , and are
then asked about its duration and their responses to it, including enjoyment
and familiarity. They are also asked about personal details, including their
musical preferences and level of musical training, if any. Preliminary findings
indicate that people who enjoy the music think it lasted longer than those who
dislike it. In a follow-up experiment, visitors are asked to memorise a list of
random words while listening: this appears to have the effect of shortening the
perceived duration of the music. Some of the findings are in line with current
theories in psychology about the perception of time , while others appear to
contradict them. The results of the research will be published next year.
C
The topic that Colin Saunderson has chosen for
his current research is the creative milieu of Paris in the early 20th century,
when musicians, painters, sculptors, intellectuals and many others contributed
to a ferment of creativity that left its mark on all concerned. Although the
topic has already been well researched, a recently discovered archive of
unpublished letters is proving a mine of information on the response of the
common man and woman - the concert audiences - to the immense creativity they
observed. It is also adding some surprising detail on the mannerisms of several
famous musicians. The research takes into account amateur music-making at that
time, and the use of music in plays. Saunderson hopes the volume he is engaged
in writing will provide a more nuanced view of that world than many of the
existing studies. One section will quote extensively from the letters, with the
extracts presented on a month-by-month basis. The intention is that this will
give the reader a sense of history unfolding in front of their eyes.
D
Ray Hutchinson has published
numerous books and articles on the physical and psychological demands of
music-making, and in his latest research, he is focusing on how musicians
manage the daily challenge of making ends meet, and the influence of career
insecurity on their way of life. Many of those who are not on the payroll of a
permanent orchestra or music college live a hand-to-mouth existence, all too
often forced to supplement their meagre and sporadic income by working in ways
that will allow them to take time off when the musical engagements come in; for
example, Hutchinson interviewed a professional flautist whose bread-and-butter
job , rather incongruously, is as a butler who can be hired by the day!
Hutchinson's aim is not only to discover the survival strategies that musicians
employ, but also to share tips and resources, in order to help them to maximise
their professional opportunities.
O’Dell, Felicity (2015) Advanced
Trainer. 2nd edition. Reading and Use of English Part 8 Test 5.
Cambridge University Press: Dubai. Pages 162 and 163.