Part 5.- You are going to read an article about cacti. For questions 31-36, choose the answer (A, B, C, or D) which you think fits best according to the text.
Cacti everywhere!
Paula Cocozza investigates the growing popularity of
the cactus.
In many countries, cacti and
images of cacti are becoming the next must-have thing inside people’s houses.
Cacti inside houses are one thing, but some people seem intent on remarking all
their everyday objects in the image of the cactus: cactus candles, lamps and
glasses are particularly popular. The world of fashion has caught on too, and
uncactus-like, with everything from cactus bracelets to cactus socks. Recently
the UK got its first ‘cactus boutique’ when Gynelle Leon, 31, opened Prick
in London.
Leon’s shop, with its white
walls and minimalist shelving, feels more like a gallery. It’s an hour before
opening time and four large cacti in the window – the ones that are most in
demand – are waiting for the shutters to rise and grant them sunlight. They are
very expensive but each weekend Leon sells at least one. Her theory, as far as
Britain is concerned, is that lots of homeowners now in their 40s had a cactus
as a child – in the 1970s there was a smaller cactus ‘boom’ when the prickly
plant was seen as a classic beginners’ item. ‘They suit people of (my)
generation,’ she says. ‘They want to do less and get more. I could put in
minimal effort and a plant will thrive.’
Added to that, they
photograph well. ‘We’re in the whole Pinterest era. You have to have nice
plants as well as nice art.’ It was her passion for photography that had taken
Leon to Yves Saint Laurent’s Jardin Majorella in Morocco where, ‘surrounded by
these huge plants’, she first encountered large cacti. She took some shots and,
when she got back home realised that there was a business opportunity was
waiting to happen. Leon then set off on a world tour of cacti hotspots.
One of the stops on Leon’s
tour was Hot Cactus, ‘a shoebox’ of a store, according to its co-owner,
‘jam-packed with plants’ in Los Angeles. ‘There’s definitely a cactus revival,’
says Carlos Morera on the phone from California. ‘But I can’t say how
superficial it is. I can’t tell whether people are into the iconography of it
and maybe just having these plants as a cool sculpture… (or) into all the
background information about the plans.’ Morera would like the latter to be
true. He says that wih cacti, ‘what you’re looking at in front of you is not
just what you’re looking at.
Yes, these plants are cool,
but all this other information really makes them… Most people are used to
seeing the cliched two-armed emoji cactus. What we were really into was
everything but that. And more so, just exposing the incredible vast variety of
form and shape and atribute that existed beyond the cliché.’
Judging
by the stories he tells, Moreira clearly has a knack for tracking down people
who are selling cacti collections without realising how valuable they are – and
he needs to be, because growers cannot easily keep a cactus trend going.
Fashion is all about speed. A cactus cannot be rushed. Those cute plants in
5.5cm pots that you see in garden centres and florists are already three years
old. By their nature, cacti are anti-fashion. This has put a good deal of pressure
on commercial growers, who are struggling to keep up with demand. This problem
is then passed on to the likes of Leon and Morera.
But cacti are also brilliant survivors, adapting to
adversity or change. They look as if they have mastered life, and maybe humans
feel that’s something they could learn from. ‘I think they are a reaction to
how fast everything moves,’ Morera says. ‘You have this plant – like a copiapoa
– that will not change from the moment you get it till the moment you die. ..
They are a rebellion against modern times, efficiency, production, results.
They act as testaments to the opposite.’
31.- In the first paragraph,
what does the writer object to most?
A) keeping cacti as house
plants
B) having cactus-shaped
objects in the house
C) manufacturing clothes with
images of cacti on them
D) shops to open up in
response to the demand for cacti.
32.- Leon thinks that cacti
are popular with middle-aged British homeowners because…
A) they wrongly imagine them
to be easy to maintain.
B) they see them as a good
financial investment.
C) they already have a
connection with them.
D) they like the unusual
appearance of them.
33.- When Leon visited
Morocco, she was…
A) investigating the
possibility of setting up her business.
B) on a tour of various
places where cacti were popular.
C) doing a work project on
behalf of a company.
D) on a trip not connected
with cacti.
34.- Carlos Morera hopes that
people who are buying cacti…
A) are able to see the
artistic appeal fo them.
B) are not missed by what
they hear in the media.
C) are genuinely interested
in learning about them.
D) are not going to ignore
the two-armed variety.
35.- What point is made about
cactus shops in the fifth paragraph?
A) They take a very long time
to sell certain cacti.
B) They have problems with
the supply of their products.
C) They have some customers
who are very hard to please.
D) They tend to sell larger
cacti than those in garden centres.
36.- Morera suggests that cacti appeal to people nowadays
because they are seen as being…
A) something permanent.
B) very different form other plants.
C) healthy for mind and body.
C) beautiful underneath.